Now that I’m back in CA, it’s Cinema Society time again and if today’s screening was any indication we’re off to a very exciting Oscar season. Written and directed by John Michael McDonagh, whose first feature was the highly praised “The Guard,” this one tackles the Roman Catholic Church, sexual abuse, adultery, suicide and alcoholism, among other sins, and yet it’s darkly funny as only Irish humor can be.
The brilliant Brendan Gleeson plays Father James, a good, decent priest and widower who sincerely wants to help the members of his small parish. But from the film’s first scene, we learn that not everyone is happy with him. As the story moves along, we discover that he’s facing obstacles from many sides – obstacles that could result in his murder. Through it all, he continues to comfort his flock as well as his fragile daughter (an excellent Kelly Reilly) even as begins to wonder if he’ll have the courage to face his own personal demons.
“Calvary” is that rare movie that isn’t shy about dealing with big moral issues but treats them with such a delicate touch that it makes for riveting entertainment in the form of a mystery. If Gleeson doesn’t get an Oscar nom (I know, it’s early), I’ll be surprised. Chris O’Dowd is always terrific whether he’s doing comedy or drama and his work here is no exception. Nobody in the theater left before the Q&A and I felt privileged to chat with Gleeson at the reception for him and the director afterwards. He said the role took him a long time to recover from but that now he’s enjoying the glowing reviews. And why not. He earned them.
P.S. I watched “Chef” and “The Grand Budapest Hotel” on the plane coming home yesterday and liked them both. Well, let me qualify. I liked “Chef.” It’s a sweet movie about food with a feel-good ending, so what’s not to like? I adored “Grand Budapest.” I was a big fan of Wes Anderson’s last one, “Moonrise Kingdom,” but the new one is even more ambitious and inventive. It’s on my Best list for sure.