I remember reading A.O. Scott’s review of “Ida” in the NYT and thinking….Sounds good but do I really want to see yet another Holocaust movie? And then I re-read the review, read other critics’ reviews, watched the praise being heaped on the film at various festivals and decided it was a must see. I’m very glad I did.
Set in the 1960s in a bleak, snowy, post-war Poland, it’s the spare (only 80 minutes long), exquisitely told story of Ida, a young woman who’s lived at a convent since she was dropped on their doorstep as a child. It begins as she’s on the verge of becoming a nun. When she’s told she must visit the aunt she’s never met before saying her vows, she reluctantly gets on a train and ventures out into the world for the first time. Her aunt Wanda turns out to be a troubled former prosecutor who drinks too much and sleeps around. And Wanda has a surprise for her: Ida is Jewish.
So kicks off what turns out to be both a coming-of-age tale and a suspenseful journey to learn what happened to Ida’s parents.
Along the way, there’s a first love, exposure to jazz music and the realization that there’s life outside of the cloistered walls of the convent. Does Ida go back to say her vows or not? I’ll never tell, except to say the acting is superb, the cinematography is breathtaking and heartbreaking, and “Ida” is a strong contender for Best Foreign Film at Oscar time.