Archive for the ‘Movies’ Category

Golden Globes 2013 = Fun Show

Sunday, January 13th, 2013

Well, Tommy Lee Jones didn’t have much fun. During what I thought was a hilarious routine by presenters Kristin Wiig and Will Ferrell, he sat at his table looking very glum.

http://gif.mocksession.com/2013/01/tommy-lee-jones/

Maybe it was because he lost the Best Supporting Actor award to Christoph Waltz. Or maybe he’s just not into SNL-type humor.

In any case, I thought the combo of Fey and Poehler did a great job of hosting. The only problem? There wasn’t enough of them; as with many award-show hosts, they disappeared for a too-long stretch during the last half.

But I’m getting ahead of myself. First, it’s my duty to discuss the red carpet. I started watching on E!, a network that usually makes me cringe and turn the channel in disgust. But tonight they bested the “Today” show crew. Ryan Seacrest was clearly more comfortable talking about designer dresses than Matt Lauer, and don’t get me started on Savannah Guthrie; I still can’t figure out why NBC handed her the co-anchor job, as attractive and articulate as she is.

The gowns were mostly gorgeous. I used to enjoy the crazy outfits, but the stylists have taken all the whimsy out of the fashion part of these shows. Still, some of the ladies looked like princesses and I need to give them props. My faves:

Amy Adams. Some people thought the color washed her out, but I liked her monochromatic look. And the shape of the dress was very….mermaid-ish.

Amy Adams

Halle Berry. She’s incapable of looking bad, but I loved the colors of her gown as well as the off-the-shoulder top and the Angelina Jolie/bare leg bottom.

Halle Berry

Kate Hudson. She went with the long sleeves (it’s cold here in CA – smart move). Some thought the black made her look funereal, but I liked the simplicity of her gown and the plunging neckline plunged but not excessively. I also like blondes with gold accents.

Kate Hudson

Zooey Deschanel. There seemed to be a lot of red on the red carpet (Jennifer Lawrence, Marion Cotillard, Claire Danes), but I think Deschanel wore hers the best.

Zooey Deschanel

My least faves:

Jessica Chastain. She’s a really good actress and I was glad she won tonight, but the top of her dress reminded me of a bathing suit my grandmother wore in the 50s, saggy boobs and all.

Jessica Chastain

Julianne Moore. Tom Ford designed her gown. My question is what was he thinking? Not pretty.

Julianne Moore

Nicole Kidman. I wasn’t crazy about this one. Not awful. Just a little too dominatrix.

Nicole Kidman

I had no quibble with the awards themselves.

Daniel Day-Lewis was amazing in “Lincoln,” but since I didn’t like the movie I wasn’t sorry it didn’t win anything else.

I figured Hugh Jackman, Anne Hathaway, Jessica Chastain and Jennifer Lawrence would win in their respective categories and all were very deserving. The wild card was Ben Affleck and Argo. I didn’t expect the film to make such an impact, but I liked it a lot. Now it goes into the Oscars with new momentum, which should make that show more interesting.

Other moments of note:

Sasha Baron Cohen made me laugh. Anne Hathway reminded me of a younger, prettier Liza Minnelli with that haircut. Dustin Hoffman must have been hitting the tanning booth pre-show. Jodie Foster was….what, exactly? Her speech had all the earmarks of a therapy session. She wanted privacy but she was broadcasting to the world that she wanted privacy. She wasn’t coming out but she said she’s been out for years. She seemed to be announcing her retirement but maybe just from acting (or maybe not). I did notice that there were many on Twitter who teared up when she mentioned her mother, so there was that. Mostly, I wished her buddy and seatmate Mel Gibson had introduced her (Robert Downey Jr. wasn’t making much sense) so we could have seen what sort of reaction he’d get from the audience. Oh well. There’s always next year.

P.S. I left out all the TV stuff because I don’t watch any of the shows. I know, I know. I’m missing “Homeland” and “Girls.” Only so many hours in a day.

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The Oscar Noms Are, As Usual, A Bit Mystifying

Thursday, January 10th, 2013

Random thoughts about this morning’s announcement as well as the nominations themselves….

  1. Why is Seth MacFarlane hosting the Oscars? He was terrible in his few minutes this morning (A Hitler joke? Seriously?) and he doesn’t have the stature or the humor to M.C. the movie industry’s biggest night of the year. Mocking people just isn’t my idea of what a host should be doing.
  2. Emma Stone can do no wrong, as far as I’m concerned. Love her.
  3. I don’t get all the praise for “Life of Pi.” Yes, it was visually arresting in 3D, but the film itself was boring, story wise – not my idea of a Best Picture.
  4. John Hawkes was robbed in the Best Actor category, especially since Helen Hunt was nominated for “The Sessions” in the Supporting Actress category.
  5. Bradley Cooper was very good in “Silver Linings Playbook,” but was his performance career-defining in the same way as Hawkes’ was in “The Sessions?” Not for me.
  6. In the same category, I would like to have seen Richard Gere get a nod for “Arbitrage” – the guy has never been nominated in his career! – but so be it.
  7. I can understand why the Academy voters didn’t give a Best Director nod to either Kathryn Bigelow or Tom Hooper, despite the Best Picture nominations for their respective movies, “Zero Dark Thirty” and “Les Miserables.” They’d both won recently. But Ben Affleck? Why not reward his work in “Argo?”
  8. Marion Cotillard should have been nominated for Best Actress for “Rust and Bone,” but I have no idea which actress I’d replace to put her there. Just not enough room at the inn, I guess.
  9. Conversely, I was thrilled to see Naomi Watts get her Best Actress due for “The Impossible.”
  10. “The Intouchables” got screwed in the Best Foreign Film category. Conventional wisdom is that it was too big a commercial success – i.e. a crowd pleaser – and Academy voters found it a bit retro in a “Driving Miss Daisy”-ish sort of way.
  11. I continue to scratch my head over “Lincoln.” Daniel Day-Lewis will be tough to beat for Best Actor and deservedly so, but Sally Field and Tommy Lee Jones too? Yikes, I must have stumbled into a different movie.
  12. Very happy that “Beasts of the Southern Wild” was recognized in such a major way. After seeing all the nominated films, it’s still Michael’s favorite of the year, along with “Silver Linings Playbook.”
  13. Leo DiCaprio probably should have been in there for Best Supporting Actor for “Django Unchained,” because he did great work in that film, but Christoph Waltz was incredible too.

Can’t wait for the show. The Golden Globes this weekend will have to tide me over until February.

 

 

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Movie Night: “The Intouchables”

Tuesday, January 1st, 2013

 

I’d been hearing a lot about this French film that’s based on the true story. Friends who’d seen it raved about it and audiences around the world have embraced it, but it still hasn’t been released widely in the U.S. Luckily, I was able to see the film tonight and what a treat.

A wealthy quadriplegic living in a Paris mansion and being attended to by an efficient team of staff members needs to hire a live-in caregiver. When a young Senegalese man shows up during the interview process fresh from serving time for robbery, he stuns everyone by announcing that he doesn’t want the job, just a signature on an application for government benefits. To his surprise he’s hired anyway, and so begins this comedy-drama of an odd couple who end up bringing out the best in each other.

The plot may sound predictable, but the performances are anything but. Both lead actors are terrific and, as the closing credits reveal, bear an uncanny resemblance to the real people they portray. Francois Cluzet as the rich man expresses a whole range of emotions with his eyes alone. And Omar Sy as the bad boy is flat-out fun to watch. I’d recommend “The Intouchables” to anyone looking for a heartwarming tale of two people who form a close bond despite coming from different worlds.

 

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Movie Day: “Django Unchained”

Saturday, December 22nd, 2012

 

If I say this one might be my favorite movie of the year, does that make me a hypocrite? I abhor violence in real life and am one of those yelling for gun control, but I’ve always been a fan of westerns, particularly spaghetti westerns, and Quentin Tarantino’s new movie is a homage to that genre – in a twisted, Tarantino-ish, “Inglorious Basterds” sort of way. In other words, there’s blood, guns, killing and, above all, moments of genuine comedy, and I loved it.

Set in the South two years before the Civil War when the idea of ending slavery wasn’t even on the horizon, “Django Unchained” stars Jamie Foxx as Django, a slave enlisted by a wily German bounty hunter (the wonderful Christoph Waltz) to help him track down the murderous Brittle brothers, with whom Django has cross paths. Their real mission becomes finding and rescuing Django’s wife, Broomhilda (Kerry Washington), from whom he was separated after they were each sold to different slave owners. Their search ultimately leads them to Candyland, the infamous plantation owned by Calvin Candie (an amazing Leo DiCaprio), who runs the place like a crazed king with the help of his trusted house slave, Stephen (Samuel L. Jackson in the role of his life).

Many shoot-outs ensue as Django seeks justice, but so do scenes of uproariously funny dialogue. This isn’t a movie for the easily offended; the “N” word is thrown around as if it’s no big deal. And there were a couple of especially gruesome scenes that made me hide my eyes. What’s more, the film is a ridiculous 2 3/4 hours long. Still, it was quite an experience.

 

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Being the Best of Something

Monday, December 17th, 2012

 

No, I’m not talking about winning an Oscar, although Hollywood’s awards season is here and I’m busily trying to see all the films that’ll be nominated as well as those that should be.

This is about me. I’ve never won an award or even been named the “best” at anything. (Well, let me amend that. I won the “best in tennis” award when I was in summer camp, along with a “most improved” in swimming.) But that changed today when I got an email telling me that one of my articles for Huffington Post/50 (the section for those of us in mid-life) was among their top 20 blog posts of 2012. Was I ever flattered!

So in honor of me, here are Huff/Po50‘s top 20 blog posts of the year. Check them all out, because they’re really good, but smile especially wide when you read mine.

 

 

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Movie Day: “Zero Dark Thirty”

Sunday, December 16th, 2012

 

Today’s Cinema Society screening was the latest film from the Oscar-winning team that brought us “The Hurt Locker,” screenwriter Mark Boal and director-producer Kathryn Bigelow. It chronicles in docu-drama style the 10-year hunt for Osama bin Laden from the point of view of a young female CIA operative played convincingly by Jessica Chastain. The fact that it’s based closely on the true story and on real government agents makes it that much more compelling.

Yes, it opens with torture. And yes, it climaxes with the raid on bin Laden’s compound and his capture. (I actually teared up when the Navy SEAL soldier said “Geranimo” to indicate that they got their man. How can you not?) And yes, it’s 2 1/2 hours long and there was a section in the middle of the movie that could have used some judicious editing. But what a story. And how refreshing to have it told in a way that felt “All the President’s Men” journalistic, instead of fist-pumping jingoistic. Well done and highly recommended.

Boal and Bigelow came for the Q&A following the screening and discussed the challenges of shooting the film, the casting of Chastain, the effort to tell the story in a non-politicized way. I was so impressed with Bigelow in particular. She’s been able to accomplish so much, despite being a woman in a male-dominated profession. Bravo to her.

 

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Movie Night: “The Deep Blue Sea”

Sunday, December 16th, 2012

With the Best Actress buzz around Rachel Weisz, an actress I always enjoy watching, and the film included on many critics’ Year’s Best Films list, I was eager to see this one. So I downloaded it last night and was glad I did. It’s haunting and beautifully acted and is a showcase for the talented Weisz.

Set in post-World War II London, a city still reeling, it’s based on Terence Rattigan’s play about an adulterous woman and the life she throws away for Grand Passion.

Not a lot happens in the film, plot wise, but it’s filled with heartbreaking moments of melodrama, including the first scene when Weisz is planning to commit suicide. The flashbacks begin from there.

She’s married to an older man, a respected judge who affords her all the luxuries of life but not the thrill of romance and lust. When she meets a just-back-from-the-war RAF pilot, she’s smitten and knows from the outset that he’ll never love her with the intensity she feels for him. Nevertheless, she leaves her husband and…

Well, I won’t give away too many spoilers. Not that it matters. “The Deep Blue Sea” isn’t really about what happens, as I said. It’s about Weisz’s flawed heroine – about all the flawed characters, in fact – and the ways in which they try and fail to lead fulfilling lives.

I liked the movie a lot. It’s not up there with the year’s best, not for me, but definitely worth a look.

 

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Movie Night: “Rust and Bone”

Wednesday, December 12th, 2012

 

I adore Marion Cotillard and have been eager to see her in the French film “Rust and Bone,” especially since she’s been chalking up the award nominations/wins and is sure to be on the Oscar list for Best Actress too.

A trainer of killer whales who suffers an unthinkable accident, Cotillard’s character had always enjoyed “being looked at” by men and now finds herself isolated and depressed – until an irresponsible boxer with a young son draws her into a relationship.

The story is an unusual romance, if it can even be called that, and the film itself, while compelling at times, is too slight to be a contender on its own. Still, Cotillard’s performance is so riveting that I’m glad I saw it. She’s so gifted at playing women who are strong yet achingly vulnerable. The Best Actress category is relatively weak this year compared to the men, so she just might have a shot at another statue.

 

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Movie Day: “On The Road”

Sunday, December 9th, 2012

 

I didn’t read Jack Kerouac’s legendary “On the Road” when I was in college, but I certainly knew enough about the “beat generation” that I was interested in seeing this long-in-the-making adaptation of Kerouac’s autobiographical novel. It’s essentially about disaffected youths in the ’60s, dropping out, hitting the road, asking existential questions and doing a lot of drugs and booze along the way.

Trying to capture a writer writing is never very cinematic and the scenes when the Kerouac character is sitting either at the typewriter or scribbling on his notepad are truly deadly. And the episodic nature of both the book and the film make this a string of little movies instead of one cohesive one. But it’s beautifully shot in various locations, it has the period details just right, and the acting is first rate.

Garrett Hedlund is a standout as a guy who’s both charismatic and despicable and Kristen Stewart of “Twilight” fame is excellent as his free-spirited girlfriend/wife. Both actors came to our screening today and made for interesting Q&A guests. I was surprised that they were so familiar with the Kerouac novel (Stewart said she’d read it in high school) and that they’d met with family members to research their characters and the period. Afterwards, there was a private reception for them and I spent time talking to Stewart. She takes her craft very seriously and isn’t at all the diva type. In fact, she seemed a bit shy in the social situation (maybe it was because we were all old enough to be her parents!) I look forward to seeing what she does next with her career. Unlike the Lindsay Lohans of Hollywood, she sounds level headed about her career. Her next movie will be a comedy with Ben Affleck that starts shooting in the spring.

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Movie Day: “Les Miserables”

Saturday, December 8th, 2012

 

Today I was lucky enough to have a Cinema Society screening of “Les Mis” ahead of its Christmas Day opening. I’d write something but I’m still emotionally drained; I literally sobbed during much of the movie.

Okay, I’m not really that overcome. It just feels that way.

Let me start by saying I am not a fan of musicals – not musical theater and not movie musicals. I get irritated when people break into song in the middle of a scene; it’s always seemed artificial to me. Maybe it was all those childhood years when my parents would drag me into the city to see shows like “My Fair Lady” and “The Sound of Music.” Who knows. The point is I went into today’s screening sort of dreading the 2 1/2+ hour experience, despite Les Mis’s legions of devotees and the rapturous early reviews of the film.

From the opening scene I was hooked. I mean seriously hooked. Hugh Jackman is so much more than a hunky song-and-dance man. He’s an actor who tells a story with every song he sings as the runaway convict. Similarly, Russell Crowe, though not as accomplished vocally, brings a “Gladiator” style muscular quality to his role – the perfect opponent for Jackman. And Anne Hathaway is absolutely heartbreaking as the unwed mother who sings “I Dreamed a Dream” and made me convulse into tears. The movie sags a bit after her character departs. She will walk away with Best Supporting Actress. There can be no debate.

After the film, which received a standing ovation from our audience, we had a Q&A with director Tom Hooper, who’d come to Santa Barbara before when he was on the circuit for “The King’s Speech.” He explained why he decided to go with a “song-through” approach, instead of breaking up dialogue with songs, and I thought it was totally the right choice, despite my aversion to opera. Cast member Eddie Redmayne, the young British actor who was so winning in “My Week with Marilyn,” was also along and he told hilarious stories about his audition, the number of takes required for each song (99% of the actors sang their numbers live, as opposed to lipsynching), and how intimidated he was after the entire crew had watched Hathaway deliver her big number and it was his turn for his.

The movie has its flaws, among them the length and the relentless close-ups of the actors, but it’s fabulous entertainment and I couldn’t recommend it more enthusiastically.

 

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